Wallpaper journal revels within the “Excessive Life” with an opulent editorial spotlighting designer occasion put on. Photographer Theresa Marx (Mink MGMT) captures the hanging visuals, collaborating with stylist Jason Hughes to create a dialogue between trendy tailoring and timeless opulence.
Benno Bulang leads the cost alongside Brennan Aldred, Jas Fraser Nicholls, and Ami Benton embodying modern sophistication with an edge.
Gucci units the tone with a double-breasted ivory go well with, its sharp strains softened by a relaxed lower—an ode to mid-century magnificence with a 2024 perspective.
In one other body, Celine’s all-black ensemble instructions consideration, a masterclass in understated energy as Benno balances minimalist aesthetics with daring silhouettes.
Gucci makes a playful look with sculptural sun shades that channel futurism, lending a subversive edge to the editorial’s narrative.
Dunhill’s polished leather-based trench coat evokes cinematic drama, a nod to noir influences that amplify the editorial’s moody undertones.
Hermès supplies a second of quiet luxurious, with glossy equipment anchoring the avant-garde styling selections. Hughes juxtaposes structured tailoring with unconventional touches, equivalent to exaggerated ties and asymmetrical layers, creating fashionable pressure.
The editorial concludes with a pointy sense of celebration, the place every look transcends occasion put on norms. From Paul Smith’s tailor-made refinement to Celine’s sharp simplicity, “Excessive Life” reframes sartorial excellence.
Hair by Christos BairabasMakeup by Marie BruceCasting by Nicolas BianciottoSet Design by Paulina Piipponen
